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EE 2009: Jazz at Lincoln Center Orchestra Rehearsal :: Getting Set (00:01:41)
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EE 2009: Jazz at Lincoln Center Orchestra Rehearsal
Titles and Disclaimer (00:00:00) - ::
On Song Order (00:00:24) - ::
Getting Set (00:01:41) - ::
First Run Through (00:03:36) - ::
Correcting Notes (00:07:14) - ::
A Lag in the Shuffle (00:07:52) - ::
Trombones as Drummers – Letter A (00:10:54) - ::
Hearing the Right Tempo (00:13:49) - ::
Call and Response – Letter B (00:15:10) - ::
Playing Up to the Lead – Letter C (00:18:12) - ::
Bass drum hits (00:19:05) - ::
Trumpets at Letter E (00:23:01) - ::
Letter F – Listen to the Rhythm Section (00:24:41) - ::
Layering at Letter G (00:26:30) - ::
How the Conductor Can Help the Band (00:28:41) - ::
Transition to Letter H (00:30:25) - ::
The New Orleans Four (00:33:00) - ::
Regional Effects in Duke’s Music (00:34:07) - ::
Trumpet Shout into Letter I (00:35:10) - ::
Opening Up For Solos (00:37:26) - ::
Inverted Blues Progression (00:38:08) - ::
Run Through (00:39:10) - ::
Run Through – Slow Tempo (00:43:46) - ::
Addressing Form (00:47:40) - ::
Playing Ensemble Parts (00:50:49) - ::
Cross (00:54:00) - ::
Brass at Letter E (00:55:29) - ::
Counting vs. Listening (00:58:45) - ::
Letter H (01:00:10) - ::
Letter I to End (01:03:56) - ::
Run Through – Fast Tempo (01:07:53) - ::
Confusion at Letter E (01:10:11) - ::
Rhythms at Letter G (01:13:45) - ::
Measures 7 and 8 (01:16:18) - ::
Run Through (01:17:54) - ::
Saxophones at the End (01:20:28) - ::
Final Run Through (01:22:18) - ::
“A Little Ragtime in Her Soul” (01:25:00) - ::
First Run Through (01:26:32) - ::
Second Alto as Lead (01:30:50) - ::
Know Where Notes End (01:31:35) - ::
Call and Response (01:32:49) - ::
Two Note Themes/Hemiolas (01:37:35) - ::
Theme in Piano (01:39:50) - ::
Call and Response – Letter G (01:41:13) - ::
Elegance at Letter H (01:44:35) - ::
Rhythm Section at Letter J (01:46:43) - ::
Play Your Own Solos (01:47:12) - ::
Letter O – Brass vs. Reeds (01:49:03) - ::
The Big Three (01:50:19) - ::
Station Call Brass (01:51:33) - ::
Final Run Through (01:52:37) - ::
First Run Through (01:56:14) - ::
Brass Articulations (02:00:38) - ::
Saxophones at Letter A (02:01:49) - ::
Bouncing Quarter Notes (02:03:46) - ::
Reverse Call and Response (02:07:27) - ::
Offbeat Rhythms at Letter B (02:10:43) - ::
Top to Letter E (02:14:28) - ::
Solos as Highlights (02:17:12) - ::
Brass Background at Letter K (02:20:55) - ::
Building Intensity (02:23:39) - ::
Chorus Format (02:27:10) - ::
Final Run Through (02:33:46) - ::
First Run Through (02:34:45) - ::
Note Corrections – Letter G (02:38:53) - ::
Keeping Time in Long Notes (02:39:39) - ::
Piano Filigree (02:41:27) - ::
Half (02:43:18) - ::
Letter C (02:45:07) - ::
Transition to Letter E (02:48:12) - ::
Letter G (02:51:04) - ::
Call and Response Between Sections (02:52:23) - ::
Run Through (02:54:02) - ::
Note Corrections (02:59:12) - ::
Final Run Through (03:02:50) - ::
Intro through Letter A (03:10:55) - ::
Letter B (03:13:30) - ::
Phrasing and Note Corrections (03:16:15) - ::
The Peanut Vendor (03:20:55) - ::
Intro Through Soli Section (03:22:00) - ::
Walkin’ & Swingin’ (03:23:18) - ::
Soli – Trumpet Leading Saxophones (03:23:45) - ::
Letter H (03:28:20) - ::
Don’t Be Too Polite (03:29:57) - ::
Run Through (03:30:45) - ::
Feet Bone -
New Musical Express -
Lady Mac -
Roll 'Em -
After All -
Walking & Swingin -
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