EE 2009: Jazz at Lincoln Center Orchestra Rehearsal

Titles and Disclaimer (00:00:00) - ::

On Song Order (00:00:24) - ::

Getting Set (00:01:41) - ::

First Run Through (00:03:36) - ::

Correcting Notes (00:07:14) - ::

A Lag in the Shuffle (00:07:52) - ::

Trombones as Drummers – Letter A (00:10:54) - ::

Hearing the Right Tempo (00:13:49) - ::

Call and Response – Letter B (00:15:10) - ::

Playing Up to the Lead – Letter C (00:18:12) - ::

Bass drum hits (00:19:05) - ::

Trumpets at Letter E (00:23:01) - ::

Letter F – Listen to the Rhythm Section (00:24:41) - ::

Layering at Letter G (00:26:30) - ::

How the Conductor Can Help the Band (00:28:41) - ::

Transition to Letter H (00:30:25) - ::

The New Orleans Four (00:33:00) - ::

Regional Effects in Duke’s Music (00:34:07) - ::

Trumpet Shout into Letter I (00:35:10) - ::

Opening Up For Solos (00:37:26) - ::

Inverted Blues Progression (00:38:08) - ::

Run Through (00:39:10) - ::

Run Through – Slow Tempo (00:43:46) - ::

Addressing Form (00:47:40) - ::

Playing Ensemble Parts (00:50:49) - ::

Cross (00:54:00) - ::

Brass at Letter E (00:55:29) - ::

Counting vs. Listening (00:58:45) - ::

Letter H (01:00:10) - ::

Letter I to End (01:03:56) - ::

Run Through – Fast Tempo (01:07:53) - ::

Confusion at Letter E (01:10:11) - ::

Rhythms at Letter G (01:13:45) - ::

Measures 7 and 8 (01:16:18) - ::

Run Through (01:17:54) - ::

Saxophones at the End (01:20:28) - ::

Final Run Through (01:22:18) - ::

“A Little Ragtime in Her Soul” (01:25:00) - ::

First Run Through (01:26:32) - ::

Second Alto as Lead (01:30:50) - ::

Know Where Notes End (01:31:35) - ::

Call and Response (01:32:49) - ::

Two Note Themes/Hemiolas (01:37:35) - ::

Theme in Piano (01:39:50) - ::

Call and Response – Letter G (01:41:13) - ::

Elegance at Letter H (01:44:35) - ::

Rhythm Section at Letter J (01:46:43) - ::

Play Your Own Solos (01:47:12) - ::

Letter O – Brass vs. Reeds (01:49:03) - ::

The Big Three (01:50:19) - ::

Station Call Brass (01:51:33) - ::

Final Run Through (01:52:37) - ::

First Run Through (01:56:14) - ::

Brass Articulations (02:00:38) - ::

Saxophones at Letter A (02:01:49) - ::

Bouncing Quarter Notes (02:03:46) - ::

Reverse Call and Response (02:07:27) - ::

Offbeat Rhythms at Letter B (02:10:43) - ::

Top to Letter E (02:14:28) - ::

Solos as Highlights (02:17:12) - ::

Brass Background at Letter K (02:20:55) - ::

Building Intensity (02:23:39) - ::

Chorus Format (02:27:10) - ::

Final Run Through (02:33:46) - ::

First Run Through (02:34:45) - ::

Note Corrections – Letter G (02:38:53) - ::

Keeping Time in Long Notes (02:39:39) - ::

Piano Filigree (02:41:27) - ::

Half (02:43:18) - ::

Letter C (02:45:07) - ::

Transition to Letter E (02:48:12) - ::

Letter G (02:51:04) - ::

Call and Response Between Sections (02:52:23) - ::

Run Through (02:54:02) - ::

Note Corrections (02:59:12) - ::

Final Run Through (03:02:50) - ::

Intro through Letter A (03:10:55) - ::

Letter B (03:13:30) - ::

Phrasing and Note Corrections (03:16:15) - ::

The Peanut Vendor (03:20:55) - ::

Intro Through Soli Section (03:22:00) - ::

Walkin’ & Swingin’ (03:23:18) - ::

Soli – Trumpet Leading Saxophones (03:23:45) - ::

Letter H (03:28:20) - ::

Don’t Be Too Polite (03:29:57) - ::

Run Through (03:30:45) - ::

Feet Bone -

New Musical Express -

Lady Mac -

Roll 'Em -

After All -

Walking & Swingin -